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   Miscellaneous   
Deep South Postcards as Art in Motion

Digital Kitchen makes a Brilliant Work Playing with Cliches to Compose a World of Connotations about the Southern United States
Page: [2] Read with Small Text Read with Normal Text Read with Large Text Read with Larger Text  [ » ]  Change Text Contrast 3Dup.com - August 11, 2009 - 20:06

A truly hand-made sequence for one of the most watched dramatic series in HBO's history. The final edit contains over 65 shots comprised of original documentary, studio, tabletop photography and found footage. 6 separate shoots took place in Louisiana, Seattle, Chicago on 7 different still, film, and video cameras.

The Assignment

We have a unique relationship with Alan Ball. Our work with him on Six Feet Under altered not only the trajectory of our company but also that of the title design business. The opportunity to work together on a whole new series was an exciting proposition. Although Mr. Ball is addressing many of the same issues in True Blood as he did in Six Feet Under: death, morality, identity with a healthy dose of humor, True Blood is a much more wild, unrestrained ride. Our assignment was to distill the humor, sex, violence and sweaty, sultry vibe of Louisiana, and oh yeah, don't show vampires.

Actually making the titles for True Blood had mostly to do with setting aside our own prejudices of the subject matter as well as so-called "professional" production practices. We knew from the start that the best -the only way- to create a powerful introduction to True Blood was to insert ourselves into the middle of Louisiana and find out what happens unmannered and unvarnished.

Most of the outdoor footage was shot in Louisiana. The bar scenes, titles, and writhing bodies were shot in Seattle. The church scenes were shot in Chicago. We even created our own font family based on roadside hand-painted signage.

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